4,000 Ideas: Chapter 1 of Four Thousand Weeks
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Do you ever have an idea for a book and then immediately jump to signing copies and winning awards? Iāve even had that feeling with projects that donāt have any public component. I have an idea. Iām excited about it. But instead of enjoying the process, I immediately feel like I should already be done with it, even though that makes no sense. We all probably feel the temptation to rush to the end and add unnecessary stress by adding a false sense of urgency to a project.
Eigenzeit
In Chapter One of Four Thousand Weeks, Burkeman mentions eigenzeit, the German idea that there is a certain amount of time inherent to a process, whether thatās writing a book or raising a child. There is no rushing the process, and trying to be efficient is not really the point. As Burkeman says, āmeaningful productivity often comes not from hurrying things up but from letting them take the time they take.ā
Flow
Burkeman also references the idea of ādeep timeā in this chapter, which sounds similar to Csikszentmihalyiās term āflow,ā but is a little more neutral. Flow is always pleasant and energizing right? Or maybe itās more subtle than that. In a recent newsletter, Ingrid Fetell Lee said, āFlow doesnāt resist difficulty, nor does it succumb to it. It smooths the hard edges, looks for paths of least resistance, channeling turbulent energy toward vitality and creation.ā
Deep Time
In contrast, I think ādeep timeā can apply to anything where youāre not sure how much time has passed and pushing to meet milestones isnāt possible. It sounds more cyclical than linear. I imagine deep time being sort of like ādeep air.ā When youāre in it, youāre not aware that youāre breathing it. You just accept it as part of your world. For thousands of years, deep time was the norm. No one thought about calendars or clocks, because they didnāt exist. There was no way to āfit more into the day.ā
We can still experience deep time today, whether itās getting up every few hours to care for a newborn, tending to a garden and watching it evolve over the years, or publishing a book. (Have I mentioned publishing is SLOW? It can take YEARS just to write a book, and then several more to sell and publish it.)
Whatever your creative practice looks likeā¦
Eigenzeit, flow, and deep time are essential parts of living a creative life.
The central truth of Burkemanās work is that our time is limited. One thing I appreciate is that he doesnāt pretend accepting this hard truth leads to enlightenment or peace. He is clear that, āTime pressure comes largely from forces outside ourselves; from a cut-throat economy; from the loss of the social safety nets and family networks that used to help ease the burdens of work and childcare; and from the sexist expectation that women must excel in their careers while assuming most of the responsibilities at home.ā But being clear eyed about whether itās possible to be efficient, rush, multitask, or otherwise āmanage timeā in some way is still helpful, even if we arenāt always able to shake off the external pressures that tell us it is possible. Because āso long as you continue to respond to impossible demands on your time by trying to persuade yourself that you might one day find some way to do the impossible, youāre implicitly collaborating with those demands.ā
In other words, slowing down is an act of resistanceāand it might be the best way to create something meaningful.
Journal Prompts and Discussion Questions
Does your creative work involve real deadlines or do you give yourself deadlines? Do deadlines help you make progress or add pressure?
Do you rush to finish your creative projects or have you found a way to let your projects ātake the time they take?ā
Where do you feel the most time pressure from? How do you shake off those demands?
When do you experience deep time? Do creative moments help you find flow? Do you lose track of time during those moments?
Which concept appeals to you most? Eigenzeit, deep time, or flow? How can you bring more of this energy to your creative work?
I canāt wait to hear your thoughts.
See you in the comments section!
PS
This is the second post in 4,000 Ideas: The Oliver Burkeman Book Club for Creatives. Itās free to everyone, but the other posts in this series will be exclusive to paid subscribers. If you enjoyed this post, please consider upgrading to paid so you can join us for more juicy discussions. And if youāre already a member of 4,000 Ideas, forward this post on to a friend. OB fans unite!
Nebula Notebook is a place to meet kindred spirits, get inspired, and learn how to find ease and joy in the creative processāeven when life is bananas. ššš
āļø PSāThe fastest way to grow as a writer is to book a manuscript critique or a creative coaching session with an expert. My clients get agents, sell books, and win awards. They also learn how to enjoy the creative process, so they can keep going when life gets hard. š




I relate to Flow.... time isn't real. We don't move through time, time moves through us. All we have is now. I *try* to stay out of the future.
To answer a prompt... the only time pressure I deal with is the age I am ... working on that inherited narrative bias. š
I've been meaning to pick this book back up. Perhaps it is no accident that this came across my feed today.
I love how you are making this into a community endeavor. Finding individual creative flow while holding space for collective accountability/community sharing.
The first paragraph of this essay is me. All me. I get super jazzed for something and then expect to leapfrog right to the grand finale. (SIGH). I'm learning to let things marinate, which isn't my nature typically.
Thanks for stirring this all up in me again.